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Posted: Thu 08 Mar 2007 01:32 Post subject: Corinne Bailey Rae
HOT!!
Corinne Bailey Rae (born February 26, 1979) is a Grammy Award-Nominated English singer and songwriter who released her eponymous debut album Corinne Bailey Rae in February 2006. Rae was named the number-one predicted breakthrough act of 2006 in an annual BBC poll of music critics.[2] The poll's predictions subsequently came true, as she became only the fourth female British act in history to have her first album debut at number one.
Childhood
Rae was born in Leeds, West Yorkshire to a Kittsian father and an English mother, and she was the eldest of three daughters. She used to be racially abused on a regular basis while growing up, even though her verbal attackers mistakenly thought she was of Pakistani origin. She says about the situation, "My sisters and I were different and people used to say, 'Ah, aren't they cute, the little chocolate children', and 'look at their hair'". "I know they were only being cute but it was over the top. Then people from other schools would shout, 'Paki' (a commonly used racist term used in the North of England) to me because it was the most common racist insult of the time. At least if you're going to do it, get it right". "I used to shout back, 'But my dad isn't from Pakistan, he's from St Kitts – so there!"[3]
She began her musical career at school where she studied classical violin before she turned her attention to singing: "I started off singing in church, I suppose, but people think it must have been a gospel church because of the whole, you know, black assumption", she says in reference to her multiracial background. "But it wasn't gospel at all, it was just your regular Brethren church, very middle-class, where we would sing these harmonies every Sunday. It was always my favourite part of the service, the singing".[4]
Rae later transferred to a Baptist church, where the choir would sing traditional hymns, and Primal Scream tunes. "We changed the words though", Rae states on her website. "We didn't want to offend the regular churchgoers, now did we?"[4]
[edit] Helen
Performing in church broadened Rae's musical horizons, and her love affair with making music was solidified after a local youth leader offered to buy her an electric guitar. In her mid-teens, she became obsessed with rock legends Led Zeppelin, "I loved that band during my teens, (and) I wanted, somehow, to follow in their footsteps, and to create music of my own".[4]
Rae formed an all-female indie group called Helen, which was inspired by similar acts such as Veruca Salt and L7. "It was the first time I'd seen women with guitars. They were kinda sexy – but feminist. I wanted to be like that, at the front of something".[5]
The group raised eyebrows on several fronts; in the white male-dominated world of indie music, they were an all-female group fronted by a mixed-race singer from Leeds. The moniker "Helen" also drew attention, albeit for not all the right reasons: "What can I say? We were 15 years old, and thought that Helen was a cheeky, indie kind of thing to do. It seemed clever at the time. Admittedly, it seems less so now".[4]
The group played many gigs around Leeds, including a memorable performance at Joseph's Well with Leeds-based band Swift, fronted by wildman rocker Royce Dunston. Despite this, the group became the first indie act to be signed to heavy metal record label Roadrunner Records, home to acts such as Slipknot, in 1995. The venture proved to be short-lived however after the bassist became pregnant and the group disbanded. "[Was I] Disappointed? I was gutted! I had no idea what to do next".[4]
[edit] University life
After the disappointment of Helen, Rae went on to attend the University of Leeds where she studied an English Literature degree. While at University, she began work as a hatcheck girl on an evening in her local jazz club. Permitted to sing on stage with the jazz band when business was slow, it was there that she discovered a different type of music that sent her on a different musical path: "I kept hearing this jazz and soul stuff and I realised I loved that music too". It was there also that she met saxophone player Jason Rae, who she eventually married in 2001 at age twenty-two. "I was Corinne Bailey. I added on Rae, my husband's name, when I got married. There's no hyphen; stops it being posh!"
[edit] Career
Over the space of the next three years, Rae began working on solo material – this time steering away from her indie past and embarking on a more "soulful" path. She collaborated with Leeds-based funk group The New Mastersounds on the track "Your Love Is Mine", featured on their 2003 album Be Yourself, released via One Note Records. The following year she again worked with another Leeds-based group, Homecut Directive, on the song "Come the Revolution", which was the first single from the group's debut album.
In 2004, Rae got a breakthrough when she was signed by Global Talent Publishing and then approached by Craig David's mentor Mark Hill, from the duo The Artful Dodger, to appear on his new album better luck next time under his new alias, The stiX. The resulting collaboration, "Young and Foolish", was released in April 2005 and brought Rae to the attention of the major record label bosses. Rae released her debut single, "Like a Star", in November 2005 and her first album, Corinne Bailey Rae, in February 2006. In September 2006, Rae scooped two awards at the UK's MOBO Awards: "Best UK Newcomer" and "Best UK Female".
Rae also received three nominations at the 2007 Grammy Awards: "Record of the Year", "Song of the Year" (both for "Put Your Records On"), and "Best New Artist". During the ceremony, she performed "Like a Star" and joined John Legend and John Mayer in a collaborative performance, providing accompanying vocals to Legend's "Coming Home" and Mayer's "Gravity".[6]
Several songs from her debut album comprise the soundtrack to the 2006 film Venus. Rae is co-credited by the filmmakers for the score.
[edit] Present
After the successful UK launch of her self-titled debut album, Corinne begun a grueling press tour of Europe.
She has recently announced a string of tour dates for October with tickets for these gigs selling out quickly, however, these dates have since been cancelled and re-arranged for early March. Preliminary plans suggest she will record new material at the end of 2006.
In the June 2006 issue of Q magazine, Corinne can be found singing a cover of Björk's 1993 song "Venus as a Boy".
She was the musical guest on the 7 October 2006 episode of Saturday Night Live with the host being Jaime Pressly. Corinne performed "Put Your Records On" and "Like a Star".
She also appeared on Studio 60 on the Sunset Strip on the episode "B-12", aired on 27 November 2006, with Howie Mandel. She performed "Like a Star" and "Trouble Sleeping".
I believe that most of the time a white mother/black father has children with a more black phenotype, while it's the other way around if it's a white man/black woman.
I believe that most of the time a white mother/black father has children with a more black phenotype, while it's the other way around if it's a white man/black woman.
Posted: Thu 13 Sep 2007 22:40 Post subject: Colors of kids and Mothers
pianoplayer111 wrote:
I believe that most of the time a white mother/black father has children with a more black phenotype, while it's the other way around if it's a white man/black woman.
Don't you think that Mothers and kids with similar skin colors are just not noticed while those with obviously different skin colors attract attention? That is probably the origin of the idea that skin color is sex-linked.
I stated that from my personal observations, not as a fact. And I still believe that. I'm not saying that's how it is all the time...mixed children/individuals can take on pretty much any phenotype.
Corinne Bailey Rae is very talented, by the way. I mentioned phenotype because looking at her pictures I wouldn't think she was biracial. Multiracial, possibly.
Posted: Fri 14 Sep 2007 12:35 Post subject: Re: Colors of kids and Mothers
Powell wrote:
pianoplayer111 wrote:
I believe that most of the time a white mother/black father has children with a more black phenotype, while it's the other way around if it's a white man/black woman.
Don't you think that Mothers and kids with similar skin colors are just not noticed while those with obviously different skin colors attract attention? That is probably the origin of the idea that skin color is sex-linked.
I do. Plus more Afro-Euro kids have Euro mothers anyway. Also how often do you regularly see fathers with their children without the mother? Usually it's the mothers you see with children alone regardless of marital status becuase they tend to be the primary caretakers.
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