I'm sure that Mrs Powell is going to give me heck for this

, but the reason I use the term pass/white to describe Merle Oberon is to highlight the nature of her struggle to "disappear" ethnically (she was biracial).and succeed in the racist Hollywood of the 1930's. I apologize in advance for anything offensive.
Denise van Esche
Merle Oberon
photo link:
http://www.cobbles.com/simpp_archive/im ... n_1938.jpg
With Indian mother and Irish father, Merle Oberon grew up poor in India, came to England in 1928 and reinvented herself as Tasmanian, deciding that the racial mix would do her career no good. After some success in British cinema she was "discovered" by Alexander Korda and began a long career in Hollywood films. She spent most of the rest of her career there, making both good and bad films. She also spent most of those years trying to avoid Hollywood film star Errol Flynn, who was an actual white Tasmanian and was suspicious of Merle's story and her "strange, untasmanian appearance".
Her strange and true life story was the subject of Michael Korda's shoddy best-seller, Queenie (1985), made into an even shoddier miniseries (1987).
"The Trouble With Merle" is a fascinating documentary detailing one director's quest to find the real origins of Merle Oberon, hollywood star.
http://www.abc.net.au/tv/documentaries/ ... 657300.htm