oevega wrote:
ROdomJr wrote:
...on about ancient Africa Moorish who ruled in Europe once and my favorite English peot & drama writer, Williams Shakespear describled the dark-skinned English as "Moro" or "Moor" because "Negro" was not even exist at that time! ...

Roosevelt D. Odom, Jr.
Hi,
Well, I guess Queen Elizabeth II would have had problems in the South of the 60s. According to the one-drop rule she is Black. Actually, I am studying her picture and I found it is likely

The Moors or Moros were not really Blacks but Berbers and Arabs. They are the ones that ruled Portugal, Spain and southern Italy. Most Moors rulers were not dark skinned at all, and the last one was not, and he could be confussed with a German. It is too bad Black Americans are so badly informed.
However, the Moors rulers (like any Muslim ruler) have slaves of all colors, including Blacks and Slaves, and sometimes mixed with them. So, it is not strange that a lady from Ghana, for example, could become the favorite of a Moor ruler.
Now, Queen Charlotte descend from Margarita de Castro y Sousa, a 15th century noblewomen. Margarita was descendent of Alfonso III and his mistress Mourana Gil, who was described as dark skinned African.
The curious thing is that all Northern European nobility is descendent in part from Mourana Gil. So, according again to that ridiculous one-drop rule, instead of blue blood they have black blood. Well, seriously, all we know there is just one color of blood: red.
Regards,
Omar Vega
Dear Friends,
I was looking for new portraits of Charlotte Sophie on the web when I stumbled on these postings.
As you may know inventions sometimes come about by accident. Like a unsespecting housewife chucking two chemicals together and voila...she discovered a new source of cheap energy or a medicine against ageing or whatever.
So without realizing it you have made a connection between 'Bleu Blood' and 'Black Blood.'
This is what I have found after three years of research. When you concentrate on personal descriptions and then look for portraits, you will find many famous, elite, historical Europeans were described as 'black, brown, swarthy, not the white hands, basané (dark brown), chimney sweep. I'm talking barons and counts and such, as well as kings and queens. But they were painted as white, with blond hair. King Charles II Stuart of Britain was named The Black Boy, and described on a wanted poster issued by parliament als 'A tall Black man.' There are engravings which indeed show a intensely black man. The site of the National Potrait Gallery shows, beside the white fakes, also these black portraits of him and his family. "NPG king Charles.'
About the Moors. If you study European paintings and jewellery from 1500-1789 you will find many pieces showing a classical African, a pitch black boy or man or even a king, and these are known als Moors. You will find them placed central to the action or in intimate contact with the whitened sitter. The Moor is the symbol for Bleu Blood, and the sitter informs us that he belongs to the nobility. Look for Madame de Kerouaille with a little Moor.
So we don't have to fight endlessly about what Moors looked like, for the nobility shows us what they considered their ancestors. I guess they were descendents from the Franks, which originated with the Nubians, Iranians and Anatoliens, brought to Europe to fight the Germanic nations by Caesar and remained, finding their own communities and keeping the color alive.
We are talking about a intermarrying, fixed mulatto race with some members who looked more African, or Asian or white, but shared a black identity. They saw themselves as superior and I compare the period from 1500-1789 as Reversed Apartheid which began with the Renaissance and ended with the French Revolution. We don't know about this because we are shown whitened, fake portraits of the Black and coloured European elite.
I have a lot more to inform this forum, if you like.
Egmond Codfried
The Netherlands